Jerzy Stuhr

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to ‘volunteer’ for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero’s welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458’s inhabitants. Is there a way out? Or is Scope’s fate sealed?Read More »

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of ‘The Dome’. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as ‘The Ark.’ He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of ‘The Dome’ comes to light, Soft must ask himself if humanity is worth saving?Read More »

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This comedy follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.Read More »

Two scientists are placed in hibernation and should be awaken after three years. But when they wake up, it turns out that it has been fifty years, and they are the only two males in a new, underground society composed exclusively of women.Read More »

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Films made under the state socialist regimes of Eastern Europe in the mid-twentieth century tend to fall roughly into two categories: the rigidly institutional and the scathingly anti-establishment. These films either serve to trumpet the cause of Communism or else find ways to avoid or subvert its conventions. The early films of Krzysztof Kieslowski present a slightly different alternative. On the one hand, these films duck the scrutiny of government censors with minute, incisive portraits of the system’s failings; but on the other, they tend to humanize and complicate the causes of these failings. Rather than make the system seem a corrupt, faceless entity, Kieslowski’s early films present a collection of individuals whose personal problems and shortcomings compose this system and thereby bring about its failure.Read More »

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It all starts when Filip Mosz (Jerzy Stuhr) buys a little 8mm movie camera to film his new-born baby. Like a true enthusiast, Filip enters into the spirit of his new hobby, filming everything that moves and working on the material on a small editing suite. When he is commissioned by his boss to film a reception being held to commemorate the company’s 25th anniversary, he becomes aware of the pressures of outside expectations and even censorship. The film however gets entered into an amateur film festival and wins third prize (second prize really since none were judged good enough to win first prize!) and he soon finds himself caught up in the world of TV and film-making, helped by an attractive film producer.Read More »

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Mr. Zygmunt Sawicki is a bank employee, who finds a camel in his yard one day. He decides to take charge of it and he and his wife Marysia take care of it. However, problems arise for both his fellow town-dwellers and the local authorities.Read More »

An ironic look at a climber who decides to do anything, including throwing mud at his best friend, to get a job he thinks will launch him into a better career.
~ Synopsis from IMDbRead More »

Being in the wrong place at the wrong time can get a person into trouble, so can being framed for a crime one did not commit. “Kiler,” one of Juliusz Machulski’s best comedies, is a story about a taxi driver that is set up. The taxi driver is named Jurek Kiler (Czeary Pazura) and is blamed for the slayings committed by an assassin. The police do not believe the taxi driver, with the last name Kiler, is not the Killer they were searching for and imprison him. Jurek uses the tough reputation of the infamous killer, along with a lot of dumb luck, to his advantage in gaining the respect of the other prisoners. As if things are not bad enough, a mobster frees Jurek from prison. In return for the favor, the mobster wants Jurek to kill a politician. Read More »