Krystyna Janda

  • Andrzej Wajda – Czlowiek z marmuru AKA Man of Marble (1977)

    1971-1980Andrzej WajdaDramaPolandPolitics

    Synopsis:
    In 1976, a young woman in Krakow is making her diploma film, looking behind the scenes at the life of a 1950s bricklayer, Birkut, who was briefly a proletariat hero, at how that heroism was created, and what became of him. She gets hold of outtakes and censored footage and interviews the man’s friends, ex-wife, and the filmmaker who made him a hero. A portrait of Birkut emerges: he believed in the workers’ revolution, in building housing for all, and his very virtues were his undoing. Her hard-driving style and the content of the film unnerve her supervisor, who kills the project with the excuse she’s over budget. Is there any way she can push the film to completion?Read More »

  • Andrzej Baranski – Pare osób, maly czas (2005)

    2001-2010Andrzej BaranskiDramaPoland

    Quote:
    The friendship of the eccentric poet Miron Białoszewski and the blind Jadwiga Stańczakowa changes the lives of both heroes. In the leading roles, Krystyna Janda and Andrzej Hudziak.Read More »

  • Janusz Morgenstern – Zólty szalik AKA The Yellow Scarf (2000)

    Drama1991-2000Janusz MorgensternPolandTV

    The Yellow Scarf is a film by Janusz Morgenstern from 2000. Janusz Gajos plays its protaganist, a man fighting with alcoholism, and is proof that television productions do not have to be worse than feature films.

    The protagonist – a middle-aged man at the top of his career – does not have a name, nor a surname; he is a universal character, an everyman that everyone can identify with. On the Christmas Eve he consecutively meets with his employees, his ex-wife, his son and his present partner. His persistently prolonged rambling is meant to postpone the inevitable Christmas visit to his mother.Read More »

  • Krzysztof Zanussi – Niepisane prawa z cyklu ‘Opowiesci weekendowe’ AKA Weekend Stories: Unwritten Laws (1998)

    1991-2000DramaKrzysztof ZanussiPolandTV

    A handsome young chauffeur hired by a powerful and charismatic businesswoman discovers he has been made an unwitting party to fraud, but his moral outrage is complicated: the married man allowed himself to be seduced by the woman, who threatens to tell the man’s wife.Read More »

  • Piotr Szulkin – Wojna swiatów – nastepne stulecie AKA The War of the Worlds: Next Century (1981)

    1981-1990DramaPiotr SzulkinPolandSci-Fi

    Synopsis:
    Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders. Then the chaos breaks out: the Martians and police mistreat the populace; things become violent. Idem’s own wife is kidnapped and it seems somebody is trying to reduce his effectiveness as a reporter. Idem decides to fight back: he illegally broadcasts a message during the rock concert, but nobody believes him anymore.Read More »

  • István Szabó – Mephisto (1981)

    1981-1990DramaHungaryIstván Szabó

    Quote:
    There are times in “Mephisto” when the hero tries to explain himself by saying that he’s only an actor, and he has that almost right: All he is, is an actor. It’s not his fault that the Nazis have come to power, and that as a German-speaking actor he must choose between becoming a Nazi and being exiled into a foreign land without jobs or German actors. As long as he is acting, as long as he is not called upon to risk his real feelings, this man can act his way into the hearts of women, audiences, and the Nazi power structure. This is the story of a man who plays his life wearing masks, fearing that if the last mask is removed, he will have no face.Read More »

  • Andrzej Wajda – Czlowiek z zelaza AKA Man of Iron (1981)

    Drama1981-1990Andrzej WajdaPolandPolitics

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    Quote:
    Wajda’s remarkable sequel to Man of Marble welds newsreel footage of the Solidarity strike to fiction in a strong investigative drama. A disillusioned, vodka-sodden radio producer is bundled off to Gdansk in a black limousine. His mission: to smear one of the main activists – who also happens to be the son of the hapless ‘Marble’ worker-hero. But, tempered by bitter experience of the failed reforms of ’68 and ’70, these new men of iron are more durable than their fathers, not as easily smashed. Media cynicism, censorship and corruption are again dominant themes, this time anchored through the TV coverage of the strike, though the conclusion hints with guarded optimism at a possible rapprochement between workers and intelligentsia. An urgent, nervy narrative conveys all the exhilaration and bewilderment of finding oneself on the very crestline of crucial historical change; and for the viewer, all the retrospective melancholy of knowing that euphoria shattered by subsequent events.Read More »

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