Machiko Kyô

There is little to nothing written in English about this film, and in fact of the entire Cinemateque Ontario Ichikawa Kon tome the only mention of Goodbye, Hello was in the extensive filmography. This was one of the films Ichikawa made for Daiei that he co-wrote with his wife Wado Natto, the pair being one of world cinema’s great husband and wife collaborations. Ichikawa worked with the cinematographer for Goodbye, Hello, Kobayashi Setsuo, on some of his best looking films: Ten Dark Women, Fires on the Plain, and An Actor’s Revenge. Actress Kyo Machiko was certainly a familiar face in Ichikawa’s films, starring in Odd Obsession and The Pit. Judging by cast and crew alone, this looks like prime Ichikawa, and I personally find this period of his filmmaking (late 50s, early 60s) the most interesting.Read More »

Quote:
Misumi directs an adaptation of a famous novel written by Yamasaki Toyoko, writer whose works were adapted numerous times for TV (Shiroi Kyotō is a sort of cult here in Japan) and for the big screen.
Kyō Machiko, Wakao Ayako and Takada Miwa star in a story about a wealthy family and the greed and selfishness of his three daughters, and relatives, after the passing of their old father. The movie casts a dim light on family relationships and money, where the only ray of hope seems to come from the younger generations.
Cinematography, music and editing are top-notch, the manner in which Misumi and his editor cut from one scene to the following in many passages of the film is really mesmerizing.Read More »

Synopsis:
As Japan became more prosperous, the Ginza district of Tokyo emerged as the luxury bar and cabaret center it remains to this day. While the charming and beautiful women who operate these establishments are privy to political and financial deals of national importance, Yoshimura’s film reveals that their hopes, their businesses and their very lives are as fragile as butterflies.Read More »

Pu Zhe, the younger brother of the Emperor of Manchukuo, Pu Wen, marries Ryuko the daughter of a long-established aristocratic family – all in the interest of the Japanese rulers, which legitimizes the relationship between Japan and its Chinese puppet state. To the surprise of all , a deep love between Pu Zhe and Ryuko develops. It is put to the test when Japan loses the war, Manchukuo is dissolved and the imperial court must flee. The lovers now have to separate: Pu Zhe tries to escape to Japan with his brother, while Ryuko flees with her daughter Eisei over the country. A film on the relationship between Pujie (1907-94), brother of the “last emperor” Puyi and his second wife, Marquise Hiro Saga (1914-87).Read More »

Winner of Cannes’ Special Jury Prize, Odd Obsession is one of acclaimed director Kon Ichikawa’s (Tokyo Olympiad, The Burmese Harp) greatest works. This captivating blend of comic satire and drama follows an elderly man’s attempts to satisfy his younger wife (Machiko Kyo, Rashomon, Gate of Hell). When “potency” injections fail, Mr. Kenmochi incites his own jealousy by orchestrating an affair between his wife and his doctor, who happens to be his daughter’s fiance. The wife and doctor are eager to oblige Kenmochi, his daughter is furious, and the scheme proves both a success and a deadly disaster. With dazzling imagery, rich irony, and superb acting, Odd Obsession illuminates the ongoing battle between personal desire and societal convention.Read More »

Winner of Cannes’ Special Jury Prize, Odd Obsession is one of acclaimed director Kon Ichikawa’s (Tokyo Olympiad, The Burmese Harp) greatest works. This captivating blend of comic satire and drama follows an elderly man’s attempts to satisfy his younger wife (Machiko Kyo, Rashomon, Gate of Hell). When “potency” injections fail, Mr. Kenmochi incites his own jealousy by orchestrating an affair between his wife and his doctor, who happens to be his daughter’s fiance. The wife and doctor are eager to oblige Kenmochi, his daughter is furious, and the scheme proves both a success and a deadly disaster. With dazzling imagery, rich irony, and superb acting, Odd Obsession illuminates the ongoing battle between personal desire and societal convention.Read More »

Synopsis:
In 1159, during an attempted coup, one of the court’s ladies in waiting disguises herself as the lord’s wife, and a loyal samurai conveys her from the city. This diversion allows the royal family to escape. After the coup fails, the samurai asks his lord to let him marry the woman as his reward. The lord grants the request and then discovers she is already married to one of the ruling family’s lieges. The samurai clings to his desire, importuning her to leave her husband, then challenging the husband to release her. Although the husband stays calm and she stays faithful, the samurai remains intemperate and stubborn, with tragic consequences.Read More »

Teahouse retains the basic appeal that made it a unique war novel and a legit hit. There is some added slapstick for those who prefer their comedy broader. Adding to its prospects are some top comedy characterizations, notably from Glenn Ford, plus the offbeat casting of Marlon Brando in a comedy role.
In transferring his play based on the Vern Sneider novel to the screen, John Patrick has provided a subtle shift in the focal interest.Read More »

Synopsis:
Based on the classic novel by Murasaki Shikibu, written over 1000 years ago. Genji, the son of the emperor, has gained renown among the nobility of Kyoto for his charm and good looks, yet he cannot stop himself from pursuing the one object of desire he must never obtain: his father’s young and beautiful bride. Following the tragic consequences of his obsession, Genji wanders from one affair to another, always seeking some sort of resolution to his life.
— IMDb.Read More »