Basing his work on his own novel, Herkunft [Origin], Oskar Roehler shot an autobiographical film in which the destinies of three generations confront German history from the postwar era up until the 1980s. As an unloved child of bohemian intellectuals professing the political clichés of the 1960s, the filmmaker projects his disenchantment onto a sarcastic image of society, while introducing a surprisingly subtle romantic tone to the proceedings.Read More »
Synopsis:
After a botched money delivery, Lola has 20 minutes to come up with 100,000 Deutschmarks.Read More »
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Agnes and his brothers have little in common, except an eccentric old father, relationship problems that are totally screwing up their lives, and the distinct possibility those two things are connected. Hans-Jörg conceals his sexual frustration behind his meek librarian appearance. Sex addict meetings don’t seem to be stopping his incessant masturbation and awkwardness with women. But his life changes drastically when he finds outlets for his anger and lusty libido. Werner is much more successful at political combat than family diplomacy. He’s caught up in an upperclass suburban nightmare and bickering is the only heat left in his marriage.Read More »
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Rise and fall of actor Ferdinand Marian, who takes the chance and stars in the anti-semitic movie Jud Süß.Read More »
Plot
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular and renowned conductors of the 30s, Furtwangler’s reputation rivaled that of Toscanini’s. After the war, he was investigated as part of the Allies’ de-Nazification programme. In the bombed-out Berlin of the immediate post-war period, the Allies slowly bring law and order–and justice–to bear on an occupied Germany. An American major is given the Furtwangler file, and is told to find everything he can and to prosecute the man ruthlessly. Tough and hard-nosed, Major Steve Arnold sets out to investigate a world of which he knows nothing. Orchestra members vouch for Furtwangler’s morality–he did what he could to protect Jewish players from his orchestra. To the Germans, deeply respectful of their musical heritage, Furtwangler was a demigod; to Major Arnold, he is just a lying, weak-willed Nazi.Read More »
As adapted from the roman by Antonia Arslan and co-directed by legendary Italian brothers Paolo and Vittorio Taviani, The Lark Farm marks one of the few international features to tackle the Armenian genocide head-on. The story (with its thematic parallels, in the early scenes, to De Sica’s 1970 Garden of the Finzi-Continis) concerns the Avakian clan. An Armenian family living an affluent lifestyle and periodically shuttling back and forth between their two comfortable homes, the Avakians feel convinced that the rising tide of Turkish hostility on the horizon means little to them and will scarcely affect their day to day. Read More »
The unborn child of Mamlakat (Khamatova) is telling her story. She is 17, beautiful and vivacious, and dreaming secretly of becoming an actress. She lives with her father and brother (Bleibtreu) in a small village in Central Asia. One night she is seduced by an actor from a traveling troupe, who poses as a friend of Tom Cruise, and makes her pregnant. She tries to abort, but her father and brother become determined to find the seducer, setting in motion a cascade of comic adventures.Read More »
Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he’s only dealing with the tip of the iceberg. Written by Constantin FilmRead More »
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If you are moved by the death of a parakeet at the beginning of The Elementary Particles (Elementarteilchen), you are in for a bumpy ride, as all of humanity as we know it will be wiped out by the film’s end in a brief written epilogue. Of course, those who have read the novel (Les particules élémentaires in its original French, Atomised in its UK version) saw this coming, but for those who are unfamiliar with Michel Houellebecq’s cult hit that explosively mixes sex, death and science to annihilate mankind – and blames the flower power generation for it in the process – this might come as something of a shock.Read More »