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Though he has made terrific mainstream dramas, such as Tokyo Sonata and Shokuzai/Penance, when Asian film lovers hear the name Kiyoshi Kurosawa, the first thing they’ll likely think of is the gifted Japanese director’s ghost and horror movies (Pulse, Journey to the Shore). It is perhaps unsurprising, then, that for his France-set Daguerreotype (Le Secret de la chambre noire),a feature with a lot of firsts — Kurosawa’s first project shot abroad; his first in another language; his first with a European crew… — that he falls back on a familiar genre.Read More »