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Two icons of 60s cinema, Terence Stamp and Peter Fonda, go head-to-head in Steven Soderbergh’s stylish reworking of the lone avenger theme. Stamp plays Wilson, an ageing Cockney villain newly out of jail, who arrives in Los Angeles to ask some awkward questions. His beloved daughter, mistress of powerful rock promoter Terry Valentine (Fonda), has died in a car crash; but Wilson’s far from convinced it was an accident. With his gaunt, grim features and sparse white hair, Stamp’s a dead ringer for the angel of death. Or maybe, as Soderbergh hints with some intricate flashback and flash-forward cutting, the whole story is a dying man’s dream of vengeance. Echoes of Get Carter and Point Blank aren’t far to seek. Read More »