Teresa Gimpera

A man rehearses a lecture he is planning to give, analyzing serial killers. He claims that a woman is soon to be murdered in the city. It is inevitable, he explains, as some people are born victims while others are born to kill. He plans to identify the future victim through a series of photographs of violent acts.

Fashion model Gim, played by iconic Spanish actress Teresa Gimpera, finds herself alone in a Barcelona that seems almost deserted. She seeks out her lover, Alvaro, for help. On her way to meet him she is harassed by a series of men and followed by a huge and menacing silver truck with blacked out windows. Through a loud speaker on the truck a mechanical voice orders all persons to leave the city immediately.
Gim finds that Alvaro’s former girlfriend, Miriam, is staying in his house having just returned from London where a terrible but unexplained event occurred. In Alvaro’s “art chamber”, an obviously disturbed Miriam finds a large knife disguised as a metallic silver fish.Read More »

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Like many of the other commentators here, I had heard about this movie long before I had ever had a chance to see it, although it typically is mentioned as one of Spain’s greatest films. It definitely is. It is masterfully directed and I have not been able to stop thinking about it for days.Read More »

Plot Synopsis [AMG]
Widely regarded as a masterpiece of Spanish cinema, this allegorical tale is set in a remote village in the 1940s. The life in the village is calm and uneventful — an allegory of Spanish life after General Franco’s victory in the Spanish Civil War. While their father (Fernando Fernán Gómez) studies bees in his beehive and their mother (Teresa Gimpera) writes letters to a non-existent correspondent, two young girls, Ana (Ana Torrent) and Isabel (Isabel Telleria), go to see James Whale’s Frankenstein at a local cinema. Though they can hardly understand the concept, both girls are deeply impressed with the moment when a little girl gives a flower to the monster. Isabel, the older sister, tells Ana that the monster actually exists as a spirit that you can’t see unless you know how to approach him. Ana starts wandering around the countryside in search of the kind creature. Instead, she meets an army deserter, who is hiding in a barn. The film received critical accolades for its subtle and masterful use of cinematic language and the expressive performance of the young Ana Torrent.Read More »

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Carlos (Andre Argaud), a well-do-do publisher and family man, receives a severed hand in the mail at work and buries it before going home but once there, his beautiful wife (Theresa Gimpera) reads him a telegram asking if he’d like a forearm. Carlos makes up a lame, work-related explanation but now suspicious, she follows her husband and spots a mysterious woman in black following him as well. That woman is Parker (Capucine), whose lesbian lover, Esther (Judy Matheson), was once Carlos’ mistress who never got over being cast aside. Esther committed suicide but Parker kept the body and, holding Carlos responsible, devises a complicated plan to have him framed for Esther’s murder…Read More »