Chile

Among gunshots and boleros, a passionate relationship flourishes between a lonely transvestite and a young guerrilla during the Pinochet dictatorship in Chile.

3 wins & 4 nominations.Read More »

Chilean filmmaker Patricio Guzmán has lived in Europe in exile for many years
but continues to make features about his native country. His latest, the
documentary ‘Salvador Allende’, is not a classical biography (though it has
elements of that too) but rather a chronicle of a search by the filmmaker himself,
who was greatly inspired in his youth by Allende, to see what was is left in Chile
now of Allende’s legacy, and what was it then, that made Allende an inspirational
figure for so many.Read More »

Synopsis / Plot
A woman travels from Peru to work as a housekeeper in Chile.
Awards
2019: Mar del Plata Film Festival: Official Selection – Ibero-American FilmRead More »

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Winner of the Best Documentary award at the Cannes Film Festival, master filmmaker Patricio Guzmán’s The Cordillera of Dreams completes his trilogy (with Nostalgia for the Light and The Pearl Button) investigating the relationship between historical memory, political trauma, and geography in his native country of Chile. It centers on the imposing landscape of the Andes that run the length of the country’s Eastern border. At once protective and isolating, magisterial and indifferent, the Cordillera serves as an enigmatic focal point around which Guzmán contemplates the enduring legacy of the 1973 military coup d’état.Read More »

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Larraín won the Silver Bear for an outstanding single achievement at the 42nd Berlin International Film Festival.

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This absorbing first feature explores one man’s internal exile in a country whose recent history has known the worst of political repression. Ramiro (Contreras), a Santiago teacher, is banished to a remote coastal community for putting his name to a public denunciation of the military authorities’ abduction of one of his colleagues. Read More »

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A private investigator in Chile hires someone to work as a mole at a retirement home where a client of his suspects the caretakers of elder abuse.Read More »

If one movie captures the soul of a city, this is the one. Dealing with the social problems, telling the story of three brothers, sometimes tender, sometimes raw, Aldo Francia made a masterpiece showing us a Chilean neorealism movie. The dark and natural cinematography goes very well with this feature. The bitter story of a family with a father in jail, a mother and three brothers fighting against poverty and an unfair society, who rejects them even between another rejected people. Francia makes this bitter story with no weeping scenes or political speeches: is very real, very beautiful and very shocking.Read More »

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Los Reyes (“The Kings”) is the oldest skatepark in the Chilean capital of Santiago. This story is about the real kings here: Football and Chola, two stray dogs that have made their home in this open space full of hurtling skateboards and rowdy teenagers. The energetic Chola loves to play with the balls she finds lying around. She positions them at the edge of the bowls where the skaters show off their tricks and tries to catch them just before they fall down. The older dog, Football, looks on impatiently and barks at Chola until she finally drops the balls. The teenagers around them come from very different, sometimes troubled backgrounds. They each have their own story, which they recount to us in voiceover. In this almost fairy-tale-like film, the phenomenal, dreamlike camerawork centers almost entirely on the subtle interaction between the two dogs, as they play with a ball, a stick, a stone and each other.Read More »

A good social movie of the early 70’s. It shows us the life of a man from Valparaíso, and how his religious beliefs are in conflict with his environment. Finally he discovers catholicism not always are in opposition with social issues. As usual in Aldo Francia’s movies, there are some documental scenes showing us the problems of poverty in his beloved Valparaíso. I think the last scene (where the protagonist sees the policial repression to a social meeting and suddenly gets a rock and throw it to the cops) was shot in a real demonstration. The actings are very natural and good, and Francia portrayed some typical people from the port (as “Cristo’e palo” and “Gitano” Rodríguez). The documental look and cinematography are very good in relation with the movie.Read More »