

Sonny Chiba returns as Goro Saionji, a private detective fighting against drug smuggling gang at a fishing village.Read More »
Sonny Chiba returns as Goro Saionji, a private detective fighting against drug smuggling gang at a fishing village.Read More »
Mendizábal, a professional of the crime, methodical and implacable, receives an order: must commit a murder. The victim is named Rodolfo Külpe, he is between thirty and thirty-five years old, he lives in the neighborhood of Belgrano and must be eliminated. That’s all. At least, everything that Mendizábal is informed about. That same night, hidden in the shadows, he waits for Külpe for several hours, until finally he sees him arrive. But it does not kill him.Read More »
An undercover cop Ah Kit and his best friend Ah Bong are sent in to get evidence on a crime boss known as Coffin Tung. After a raid goes wrong and Tung is killed, his gang splits into two factions.Read More »
In Nazi-occupied Paris, the immoral art dealer, Robert Klein, leads a life of luxury, until a copy of a Jewish newspaper brings him to the attention of the police, linking him with a mysterious doppelgänger. Will Mr Klein clear his name?Read More »
Synopsis:
The Marquis de Villemaur reunite stranges visitors in his Castle, to meet a survivor of the 3rd Reich. There is an Italian fascist ; Heinrich, a German ; Matthias, a russian ; and Dromard, a blind French war hero, with a black monocle.Read More »
A fantastically atmospheric but rarely seen missing link in the development of Tod Browning’s artistry, set amid his favored milieu of shadowy sideshows and clever criminals, The Mystic provides a striking showcase for silent-era diva Aileen Pringle, who sports a series of memorably outré looks (courtesy of art deco designer Erté) as Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man (Conway Tearle), crashes—and proceeds to swindle—American high society. Browning’s fascination with the weird is on full display in the eerie séance sequences, while his subversive moral ambiguity extends surprising sympathy to even the most seemingly irredeemable of antiheroes.Read More »
In busy downtown Seoul, a thuggish young man notices a fresh-faced college student who sits on a bench. He stares then sits next to her. She looks at him as if he’s vermin, rises and walks to another bench. He sits staring. Her boyfriend arrives, she points to the stranger, the boyfriend shrugs and puts his arm around her to walk away. The stranger starts to leave as well, turns, goes to them, takes her face firmly in his hands and kisses her long and hard. The boyfriend tries unsuccessfully to break them apart, then soldiers beat the stranger. She demands an apology. He is silent. She slaps him and spits on him. They leave. The next day, he sets out to ruin her. How can this end?Read More »
Quote:
Basically the plot revolves around an endebted entreprenor who sell his fields to a business-man who plan to build an car-factory. Instead of this factory, the fields will prove to be used for the Shinkansen line. Then, the endebted entreprenor will seek back the business-man for get much more money he deserved in this real trade.
Another not-so subtle critic of capitalism, but some good dark thriller moments and a great&painful strangulation sequence!Read More »