Sweden

LIGHT YEARS is a collage film and a journey through the Swedish landscape, traversing stellar distances in units of 5878 trillion miles. It is a film acutely in the present reflecting our temporal existence … continuous and imperfect.Read More »

Synopsis:
Aspiring youtuber Vendela decides to get up infront of her high school class and show a disturbing video that disrupts the lesson and causes her teacher Lukas to fear for her life. Get Ready With Me is a refreshingly unpredictable thriller about generational power struggles that combines grim satire with the current urgencies of teen angst, social media and fame.Read More »

Quote:
A famous artist isn’t invited to her class reunion. She makes a film about what could’ve happened if she had gone there and confronted her bullies, and later shows that film to her former classmates.Read More »

An aircraft with biological weapons explodes above the Kulla Peninsula in Skåne. The fog rolls in over the small seaside resort of Mölle, people start coughing, the police starts evacuating people and soon the first death is reported.Read More »

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This documentary is the third in a trilogy about a group of Swedish nonconformists. It tells the stories of two young men, Kenta and Stoffe.Read More »

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In the 1950s two films were directed by a woman [in Sweden, the other one being Mimi Pollaks Rätten att älska]. Barbro Boman had worked as a production assistant in the 1940s after which she wrote scripts herself and was also head of Svensk Filmindustri’s script department for a period. She directed two films, of which It’s Never Too Late (Det är aldrig för sent) (1956) was her first. It tells the story of a couple who are planning to divorce. The film is based on flashbacks that recount three generations of women: the main character Görel, her mother and grandmother, and their methods of solving their problems. As a new director, Boman was treated well and the reviewers wished her the best for the future.

Nordic National Cinemas (1998)Read More »

Quote:
The coming of age of Olof Persson is presented. This phase of his story begins in northern Sweden in 1914 when he is fourteen years old. He is just leaving the home of his foster parents, where he was first sent because of his own father’s illness. Olof is now striking out on his own moving from one manual labor job to another. He is often put through rites of passage because of his age, or is exposed to adult issues solely because he is seen as just another one of the men. It isn’t until he moves to the city at age sixteen and gets a job in the movie showing business – first at a cinema and then a traveling movie show – that he begins to deal with more adult issues and emotions of his own, such as acting on his desire for the opposite sex, the associated feeling of jealousy, and how he may want to direct his energies as an adult in his passions for philosophy and political activism of the socialist variety.Read More »

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This scintillating screen version of Mozart’s beloved opera shows Bergman’s deep knowledge of music and his gift for expressing it in filmic terms. Casting some of Europe’s finest soloists—among them Josef Köstlinger, Ulrik Cold, and Håkan Hagegård—the director lovingly recreated the baroque theater of the Drottningholm Palace in Stockholm to stage the story of the prince Tamino (Köstlinger) and his zestful sidekick Papageno (Hagegård), who seek to save a beautiful princess (Irma Urrila) from the clutches of evil. A celebration of love, forgiveness, and the brotherhood of man, The Magic Flute is considered by many to be the most exquisite opera film ever made.Read More »

Two women, Karen (theatre director) and Lena, visit an island, a Swedish resort, where Lena’s ex-husband, Martin (choreographer), lives in comparative seclusion with a mentally disturbed ballet dancer named Carl. Carl is brother by guilt rather than blood, for Martin is somehow responsible for his breakdown.Read More »