War

  • John Llewellyn Moxey – Foxhole in Cairo (1960)

    1951-1960DramaJohn Llewellyn MoxeyUSAWar


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    In 1942, Rommel halts his victorious Afrika Korps and sends German agent John Eppler
    and radio operator Sandy to Cairo. Their mission is to learn where the British plan to
    launch their counteroffensive. Eppler immediately communicates with Amina, an Egyptian
    cabaret dancer and his former mistress, who agrees to help him. Unknown to them,
    British counterespionage chief Captain Robertson has learned of Eppler’s presence in
    Cairo and is working with the leader of Cairo’s Jewish underground, Radek. Amina lures
    an ineffectual British officer, Major Wilson, to her houseboat and has him drugged and
    robbed of his briefcase containing British counteroffensive details. While Eppler and
    Sandy relay the information to Rommel that the battle will take place at Alam Halfa,
    Yvette, a member of the Jewish underground, sneaks aboard the boat and revives the
    unconscious Wilson. They are interrupted by Amina, who shoots Wilson but is herself
    stabbed to death by Yvette. Eppler arrives and is about to kill Yvette when Robertson
    and Radek appear and arrest Eppler. Eppler’s satisfaction at having already informed
    Rommel that the counteroffensive will take place at Alam Halfa is short-lived. Robertson
    had seen to it that the plans in Wilson’s briefcase were false–the real battle will take
    place at El Alamein.Read More »

  • Veljko Bulajic – Bitka na Neretvi AKA The Battle of Neretva (1969)

    1961-1970EpicVeljko BulajicWarYugoslaviaYugoslavian Cinema under Tito

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    Quote:
    In 1943, Hitler orders the final destruction of the Yugoslav Partisans. The Partisans begin a trek northward to the relative safety of the Bosnian Mountains – their goal is to cross the treacherous Neretva gorge over one remaining bridge. Along the way, they battle German tanks, Italian infantry, Chetnik Cavalry, strafing airplanes, disease and natural elements.

    Yugoslav director Bulajic is telling his story from all points of view, but his sympathies lie with the Partisans. The film has pro-Communist leanings, and tells several interwoven stories stressing the importance of comradeship in wartime. There are many important characters: Yul Brynner (“Morituri”) as crack demolition expert Vlado; Sergei Bondarchuk (director of “Waterloo”) as short-tempered artillery officer Martin; Franco Nero (“The Mercenary”) as an Italian Captain with no faith in Fascism; Hardy Kruger (“A Bridge too Far”) as Colonel Kranzer, who fights with dedication which begins to dwindle as he realizes the bitter reality that the partisans are a formidable enemy; Ljubisa Samardzic (“Battle of the Eagles”) and Sylva Koscina (“Hornets’ Nest”) are brother-and-sister, and Koscina is to marry Ivan (Lojze Rozman) after the war; the list goes on and on, and although every character is significant, it’s impossible to list them all. There’s an interesting twist, too: the legendary Orson Welles plays a Chetnik Senator who battles for concessions with General Lohring (the great Curd Jurgens), a commited Nazi officer who is determined the wipe out the Partisans once and for all.Read More »

  • Roman Polanski – The Pianist (2002)

    2001-2010DramaRoman PolanskiUSAWar

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    Plot Synopsis: A brilliant pianist, a Polish Jew, witnesses the restrictions Nazis place on Jews in the Polish capital, from restricted access to the building of the Warsaw ghetto. As his family is rounded up to be shipped off to the Nazi labor camps, he escapes deportation and eludes capture by living in the ruins of Warsaw.Read More »

  • Raphael Nussbaum – Kommando Sinai AKA Sinai Commandos: A Story of the Six Day War (1968)

    1961-1970CampIsraelRaphael NussbaumWar

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    At the start of the 1967 Six-Day War (June 5-10) between Israel and the surrounding Arab nations, a team of eight Israeli commandos, with their female boat captain in tow, are sent on a suicide mission deep into the Sinai to destroy an important Arab radar station at Sharm El Sheikh to pave way for the main invading Israeli forces.

    imdb comment wrote:
    This movie could be consider as one of the few movies that described the historic moment that israeli people lived in Israel during the Six-Day War, especially because they were surrounded by a great number of enemies , and their determination to remain like a Jewish State allowed to them to defeat it. I watched the movie like 20 years ago, and in that time, I Got the oportunity to record in my Betamax , and I still have it with me, and when I have time, I enjoy watching it again. The best scene could be when the commandos destroyed the radar station from Egyptian Army.Read More »

  • Stanley Kramer – On the Beach (1959)

    1951-1960DramaStanley KramerUSAWar


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    In 1964, nuclear war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?Read More »

  • Marco Ferreri – Touche pas à la femme blanche aka Don’t Touch the White Woman (1974)

    1971-1980ComedyFranceMarco FerreriWar

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    Synopsis
    Marcello Mastroianni stars in this French farce, an absurd “western” set in Paris, with Mastroianni as the incurably vain General George Armstrong Custer. Richard Nixon is the American president, but everyone is costumed appropriately for the previous century. Buffalo Bill (Michel Piccoli), the famous scout, is here portrayed as a limp-wristed bungler. Ugo Tognazzi plays one of Custer’s Native American opponents; he runs a curio shop selling Native artifacts made in sweatshops by white women. The climactic battle is held in a large construction excavation where Les Halles market used to be. The language the two sides use to justify their conflict is lifted from that used in the then-current Vietnam War.
    ~ Clarke Fountain, All Movie GuideRead More »

  • Michael Verhoeven – O.K. (1970)

    1961-1970ArthouseGermanyMichael VerhoevenWar

    Synopsis:
    A four man US fireteam on patrol seizes a passing young vietnamnese girl and continue to torture, rape and kill her. Only one soldier refuses to take part in it and reports this incident to his superior, who dismisses it as simple wartime incident. As a consequence for his report, the soldier has to fear for his life. Later, the perpetrators are convicted, although subsequent appeals reduce their sentences significantly.
    The plot takes place in a bavarian forest and reenacts a real war crime that happened in the vietnam war. The soldiers wear US uniforms, have authentic names but speak with a pronounced bavarian accent – a conscious directing decision known as Brechtian distancing effect.Read More »

  • Marcel Varnel – King Arthur Was a Gentleman (1942)

    1941-1950ComedyMarcel VarnelUnited KingdomWar

    http://img502.imageshack.us/img502/7754/3090bwx.jpg

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    King Arthur Was a Gentleman is a 1942 British musical comedy film, directed by Marcel Varnel, starring Arthur Askey as Arthur King. Set during World War II, the plot involves the diminutive Arthur joining the army to prove himself to his girlfriend Susan (Evelyn Dall), who is in the same unit as him. Here, his idealistic notions about King Arthur prompt his messmates to trick him into believing that a sword they have dug up is the fabled Excaliber. Armed with this talisman Arthur strides forth to deal with the Wehrmacht.Read More »

  • Paul Schrader – Adam Resurrected (2008)

    2001-2010DramaGermanyPaul SchraderWar

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    Quote:
    While the Holocaust is certainly a legitimate topic of inquiry for the committed filmmaker, most contemporary treatments of the Nazi camps betray their mission by allowing the viewer to feel altogether too comfortable as they take in the on-screen atrocities. Whether through the establishment of a mitigating historical distance, the adoption of standard genre tropes or the repetition of an established catalog of horrors, films like The Boy in the Striped Pajamas and A Secret tend to overly familiarize the events of World War II, allowing the viewer to safely assimilate that conflict’s genocidal horrors. But whatever the flaws of Adam Resurrected, and despite the fact that no physical violence is perpetrated on screen, Paul Schrader never allows the viewer to get comfortably situated, relying on an absurdist central conceit and a rapidly shifting array of intellectual and moral concerns—whose superficial treatment unfortunately leads to a certain diffuseness in the work—to continually de-familiarize his subject.Read More »

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