Plot:
Ray Winkler is a “small time crook” with big dreams. Recruiting his wife and some fellow bumblers, he leaves his job as a dishwasher to open a cookie store next to a bank. And while his wife operates the cookie store, he and his cohorts work in the basement on breaking into the bank. Wealth comes from an unexpected direction, helping fulfill his dreams. But there is an ancient curse about getting everything you wish for.Read More »
Description: Narrated by Tom Cruise, “Stanley Kubrick: A Life in Pictures” goes through each one of his movies and talks to various participants about their memories of working with Kubrick. For those who know very little about Kubrick, the documentary is an excellent career overview.Read More »
Description: Woody Allen’s contribution to the Concert for New York City. A cute little collage of snippets of overheard cell phone conversations, essentially a collection of one-liners. Funny.Read More »
Description: A down-on-his luck auteur gets one more chance at the big time — provided his neuroses don’t swallow him whole — in Woody Allen’s 33rd feature release, Hollywood Ending. Allen plays Val Waxman, a one-time cinematic genius who’s resorted to taking advertisement work to pay the bills for himself and his airhead live-in girlfriend, Lori (Debra Messing). Val finds his luck is about to change, however, when he receives the script for The City Never Sleeps, a period noir set against the backdrop of 1940s New York City.Read More »
A young artist struggling with his career and his muse is getting more than a little aggravation from Cupid in this romantic comedy written and directed by Woody Allen. Jerry Falk (Jason Biggs) is a promising 21-year-old comedy writer living in New York City. While Jerry has talent, he’s having a hard time getting his career off the ground, which might have something to do with the fact his agent Harvey (Danny DeVito) is a well-meaning, but ineffectual, blowhard, and his mentor David Dobel (Allen) is an increasingly paranoid eccentric whose twin careers as a teacher and standup comic are both floundering. Poised at the top of Jerry’s mountain of anxieties is his relationship with his girlfriend Amanda (Christina Ricci); from the first moment he saw her, Jerry has been in love with her, but Amanda’s multiple neuroses, fear of commitment, and frustrating intimacy issues make her all but impossible to be around. Jerry is approaching his breaking point when the small flat he shares with Amanda becomes home to a third roommate — Amanda’s mother Paula (Stockard Channing), who has decided to come to New York to chase her dream of becoming a cabaret singer. Anything Else also features supporting performances from Jimmy Fallon, William Hill, and jazz vocalist Diana Krall. — Mark Deming @ allmovie.comRead More »
Description: Over a meal in a French restaurant, Sy poses a conundrum to his fellow diners: Is the essence of life comic or tragic? For the sake of argument, he tells a story, which the others then embellish to illustrate their takes on life. The story starts as follows: A young Manhattan couple, Park Avenue princess Laurel and tippling actor Lee, throw a dinner party to impress Lee’s would-be producer when their long-lost friend Melinda appears at their front door, bedraggled and woebegone. In the tragic version of what happens next, the beautiful intruder is a disturbed woman who got bored with her Midwestern doctor-husband and dumped him for a photographer. Her husband took the children away and she spiraled into a suicidal depression that landed her straight-jacketed in a mental ward. In the comic version, Melinda is childless and a downstairs neighbor to the dinner hosts, who are ambitious Indy filmmaker Susan and under-employed actor Hobie. Back and forth the stories go, contrasting the destinies of the two Melindas.Read More »
Quote:
The older Woody Allen gets, the more the nebbish-jester mask dissolves to reveal the pinched sneerer underneath. Can a longtime comedy writer really be this unwarmed by life? In You Will Meet a Tall Dark Stranger, the writer-director’s London-set roundelay of neurotics, muses, and frauds, the mysterious stranger of the cumbersome title turns out to be not Antonio Banderas (who joins Freida Pinto in playing insultingly “exotic” objects of desire for the rest of the cast), but, as one character points out, the Grim Reaper himself. The fact that such moldy fatalism feels truer to Allen’s worldview than, say, the faux-sensualism of Vicky Cristina Barcelona doesn’t exactly ameliorate the sourness of this ensemble dramedy, which plays less as a critique of the characters’ willful delusions than as a jaundiced hymn to their necessity.Read More »
Quote:
For my money, Abel Ferrara’s remake of a remake — namely Philip Kaufman’s Invasion of the Body Snatchers, based on Don Siegel’s classically paranoid 1956 SF adaptation of Jack Finney’s effective novel The Body Snatchers — doesn’t match the Siegel original, though it’s a lot scarier and more memorable than Kaufman’s low-key, new-agey version. Kaufman shifted the action from a small California town to San Francisco, while Ferrara–shooting a script by Stuart Gordon, Dennis Paoli, and Nicholas St. John from a screen story by Raymond Cistheri and Larry Cohen — locates the action in an Army compound in Alabama. Read More »
plot:
Director Abel Ferrara applies his eccentric vision to the vampire genre with this cerebral “Art”
film about graduate philosophy student Kathleen Conklin (Lili Taylor), who is bitten by an
aggressive female vampire (Annabella Sciorra) and soon spirals into a nightmarish world of
blood addiction and existential angst. Driven by her merciless condition, she attacks several
of her pretentious friends and classmates (even her professor) and mainlines their blood like
heroin. Just as she becomes more bold in seeking prey on the streets of New York, she is
waylaid by a potential victim — actually a sophisticated vampire himself named Peina
(Christopher Walken), who chooses to control his own blood addiction through fasting and
meditation. Seeming to regain her self-control, she eventually completes her graduate thesis
(helped by a bit of vampire nepotism) and holds a party to celebrate, inviting the entire
faculty as well as members of her new “family” to join in the festivities. Although the parallels
to heroin addiction are in plain view, this is also a study in the essential evil of humankind — a
theme evident in much of Ferrara’s work. — Cavett BinionRead More »