Carter Page III (Harrelson), a middle-aged gay man in Washington, D. C., is a “walker”, a single man who escorts other men’s wives to social events so the husbands do not have to. One of the women he escorts, Lynn Lockner (Scott Thomas), is the wife of a United States senator and is carrying on an affair with a lobbyist. When she finds the lobbyist murdered, she embroils Carter in an investigation that leads to the highest levels of the federal government.Read More »
An epic about anthropologists who hunt and capture pygmies for study back in Europe, in an attempt to illustrate the missing link between man and ape.Read More »
Review from TimeOut:
Shot in Paris, it chronicles a couple of distracted days in the life of Orlando (Miranda), an American sports journalist, during which her near-incestuous obsession with her late brother finally prompts her French lover to pack his bags and split. Little else happens: she misses a deadline (Scott Thomas cameos as her editor), meets a basketball team in their locker room and replays some of her brother’s old smell-o-vision software (designed by Chris Marker). But Shamberg uses digital editing to seamlessly integrate her memories/fantasies and larger reflections on the film’s themes into the minimal narrative, generating images of uncommon density and beauty and turning the film into a kind of nervous rhapsody. The ending consolidates the various levels of paradox, bringing us back to earth with an elegiac bump.Read More »
Journalist Bruno (Auteuil) is swithering between a wavering wife (Devos) and a much younger girlfriend (Sagnier), and politically undecided after the collapse of communism. Realising a break in routine is required, he answers a call for help from his uncle (Yanne), which takes him to the countryside near Grenoble. Charged with delivering a letter to the old man’s romantic rival, he’s soon deep into uncharted territory and a disorienting encounter with the volatile Béatrice (Scott Thomas). All this resolves itself into a narrative homily about needing to lose yourself in order to find your way again, but you get the feeling that Bonitzer (former Cahiers du Cinéma editor and frequent Rivette collaborator) is less interested in the destination than the uncertainties of the journey. Read More »
Synopsis:
“A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography…”
Review:
Children, being built nearer to the ground and having more time on their hands, are close observers of ants and spiders, caterpillars and butterflies. Adults tune them out; bugs are things you slap, swat, step on or spray. “Microcosmos” is an amazing film that allows us to peer deeply into the insect world and marvel at creatures we casually condemn to squishing. The makers of this film took three years to design their closeup cameras and magnifying lenses, and to photograph insects in such brilliant detail that if they were cars, we could read their city stickers.Read More »
Quote:
In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband’s commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier whereboth their relationship and humanity are severely tested.Read More »
Quote:
Want a master class in film acting? Check out Kristin Scott Thomas as Juliette, a doctor just out of prison in this spellbinder from writer-director Philippe Claudel. Juliette has been invited by her sister, Léa (Elsa Zylberstein), to share her home in France, along with Léa’s husband, Luc (Serge Hazanavicius), their two adopted Vietnamese daughters and Luc’s sickly father.Read More »
In the 1800s a naturalist marries into a family of British aristocrats.
based on A.S. Byatt’s creepy, wonderful, novel… And there’s nothing creepier than Patsy Kensit’s doughy pig-face.
from allmovie:
A 19th-century British naturalist falls in love with the beautiful daughter of a wealthy aristocrat, but he soon discovers that her family’s perfect facade disguises unexpectedly grim secrets. Director and co-screenwriter Philip Haas’s adaptation of A.S. Byatt’s Morpho Eugenio eschews the usual gentility of Victorian period pieces in favor of subtle creepiness. The unsettling mood is emphasized by the film’s detailed attention to its protagonist’s scientific endeavors, which center on the study of insects and their behavior.Read More »