Some stories need to be told after they are over. We need to know that all the events are past and gone, in order to feel the same nostalgia as the storyteller. When a story is happening “now,” there is always the possibility of surprise and happiness. But when a story happened “then,” and it is a love story, then even the happy moments feel bittersweet, and of course that is the whole point of the story.Read More »
Twelve jurors must decide the fate of a Chechen adolescent charged with murdering his stepfather.Read More »
A 1964 Soviet film directed by Georgiy Daneliya and produced by Mosfilm studios. It stars Nikita Mihalkov, Aleksei Loktev, Jevgeny Steblov and Galina Polskikh. The film also features cameos by four People’s Artists of the USSR: Rolan Bykov, Vladimir Basov, Lev Durov, and Inna Churikova.
The famous movie theme, performed by Mikhalkov, was written by the composer Andrej Petrov. The film, regarded as one of the most characteristic of the Khrushchev Thaw, premiered at the 1964 Cannes Film Festival and won a prize for the work of cameraman Vadim Yusov, best known for his subsequent collaboration with Andrei Tarkovsky.Read More »
Twelve jurors must decide the fate of a Chechen adolescent charged with murdering his stepfather.Read More »
A lavish two-part costume tragedy based on the classic The Dowerless Girl by the nineteenth-century playwright Alexander Ostrovsky, A Cruel Romance (also known as Ruthless Romance) was the biggest Soviet box-office hit of 1984, though it seems to have had little international exposure until now.
It marked a change of direction for the veteran Eldar Ryazanov, who up to then had tended to specialise in contemporary comedy, though it seems to have done his career little harm: he was made a People’s Artist of the Soviet Union that year – and no wonder, quite apart from the film’s commercial success, its mostly wart-ridden portrait of the venal, money-grubbing bourgeoisie of the then-discredited Tsarist era must have gone down a storm with the Soviet authorities.Read More »
Quote:
When brothers Simon and Sergei bungle an important drug deal on behalf of the local crime kingpin, they’re forced to make up for it by retrieving a lost batch of heroin. Trouble is, they have no idea where to begin. This shrewd gangster satire includes some 20 Russian film stars among its ensemble cast, cleverly costuming each big name to leave viewers guessing who’s who.Read More »
Summary:
Platon Ryabinin, a pianist, is traveling by train to a distant town of Griboedov to visit his father. He gets off to have lunch during a twenty minute stop at Zastupinsk railway station. He meets Vera, a waitress, after he refuses to pay her for the disgusting food he doesn’t even touch and misses his train due to police investigation of the incident. His passport is then accidentally taken away from him by Andrei, Vera’s fiancé, and his money is stolen as he waits for the next train to Griboedov. Vera learns that Platon is about to get sentenced and sent to prison in the Far East for a car accident he isn’t guilty for. During the few days that Platon has to spend in Zastupinsk he and Vera develop feelings for each other…
– Written by Denis ChebikinRead More »
Plot Synopsis by Michael Betzold
Veteran Russian writer-director Nikita Mikhalkov’s film about the impact of modern civilization on an idyllic part of Mongolia won the Golden Lion at the Venice Film Festival and was nominated for an Oscar as Best Foreign Film. A farmer (Bayyartu) and his wife, who live in a rural part of Inner Mongolia, have three children. Chinese population control policies prevent them from having any more. The farmer sets out for the nearest town to obtain birth control. He comes upon a Russian truck driver (Vladimir Gostyukhin) who has ended up in a lake. The farmer takes the man back to his farm, and after initially being appalled at the lack of civilization, the Russian becomes enchanted with the peaceful life of the backwards countryside and decides to stay. But his presence presages big changes for the peasants.
Read More »
Amazon.com—
This ambitious 1979 Russian film attempts no less a feat than the encapsulation of the tumultuous history of Russia in the 20th century. Written and directed by Andrei Konchalovsky (Runaway Train, Tango and Cash), the film weaves an engrossing tale of three generations of two Russian families in the remote region of Siberia, each trying in their own way to find fulfillment in their lives as they seek to reconcile themselves with the ever-changing landscape of their homeland. Sandwiched between the chaotic events of the First and Second World Wars, as well as the Russian Revolution of 1917, the people of the small village find themselves at the cusp of great changes, from communications to the expanding infrastructure and the changes that brings, to the discovery of oil and the riches and perils that come with it. Konchalovsky juxtaposes archival footage with stunning cinematography and contrasts the assaultive changes of the modern world with the timeless impulses of family and the enduring need to adapt and survive. Reminiscent of such great films as Giant and 1900, Siberiade is a visually adept and stunningly effective epic about the price of a country’s history on its people. —Robert Lane
Read More »