Italy

Set in the Nazi-controlled, northern Italian state of Salo in 1944, four dignitaries round up sixteen perfect specimens of youth and take them together with guards, servants and studs to a palace near Marzabotto. In addition, there are four middle-aged women: three of whom recount arousing stories whilst the fourth accompanies on the piano. The story is largely taken up with their recounting the stories of Dante and De Sade: the Circle of Manias, the Circle of Shit and the Circle of Blood.Read More »

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The concluding part of Pier Paolo Pasolini’s “Trilogy Of Life”, following The Decameron and The Canterbury Tales, Arabian Nights corrects many of the mistakes found in the latter, noticeably its ramshackle, uneven approach, and returns to the charming territory of the former. Indeed, the film is as good as The Decameron, if not better, and is generally considered to be the trilogies crowning moment and one of Pasolini’s finest films (critic Tony Rayns recently included it amongst his choices for Sight and Sound’s 2002 Top Ten Critics’ Poll).Read More »

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One of Pasolini’s most enigmatic films, it extends his cinematic obsessions into the realms of cannibalism and bestiality with two interweaving stories of two young men who become sacrificial victims of their different societies. One of them is a soldier and cannibal (Clementi) in a medieval wasteland and the other a son (Léaud) of an ex-Nazi industrialist (Tognazzi) in modern-day Germany. The young German is more attracted to pigs than to his fiancée (Wiazemsky). This rather silly parable, very much a product of the late 1960s, in which the bourgeoisie is caricatured, is filmed with such calm beauty and underlying disgust that it seems to gain in significance. Theorem (1968) and Pigsty were the only films in which the Marxist Pasolini dealt directly with the hated middle classes; thereafter he left the 20th-century behind until his final film, Salo (1975), which looks at even more extreme human actions.Read More »

Description: Janitor Antonio Buonocore joins his friend Lo Turco e Cardone, to print some counterfeit bills. When they decide to circulate one counterfeit bill, they are only able to spend the right one, used as a mould for the others. Crime is not for them and so they decide to renounce their plans.Read More »

Plot / Synopsis

A young man gets shot in an underground parking lot. His recent experiences flash before him as he leaves his last breath… This excellent, surreal and sexy giallo (with a plot reminiscent of Aldo Lado’s MALASTRANA also starring Sorel) is brought to you in its rarest form.Read More »

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After witnessing the brutal murder of an elderly lady, a man has an encounter with a bizarre woman who claims to an old lover of his… A lover who apparently committed suicide years ago.Read More »

Directed by Enrico Guazzoni
Scenario by Enrico Guazzoni, from a novel by Henryk Sienkiewicz
Amleto Novelli (Vinicius), Gustav Serena (Petronius), Amelia Cattaneo (Eunice), Carlo Cattaneo (Nero)

The birth of the motion picture epic is generally dated to the 1913-1914 Italian films Quo vadis, The Last Days of Pompeii, Cabiria and Cajus Julius Cesar, many of them based on a standard set of 19th century religious novels that would be made and remade over the next half of the 20th century. One of several specialists in the genre, Enrico Guazzoni filmed this second version Quo Vadis?, the prime exemplar of a subsidiary genre to “Life of Christ” films, one that might be called the “Christ vs. Caesar” genre. The title of this film means “Where are you going?” and the question is posed by the Ascended Christ to Peter in a vision as the latter departs Rome on the eve of an Imperial persecution. The main story, however, focuses on a Roman commander, Vinicius, who falls for a Christian girl, Lygia, and is so drawn into the underground Christian community, experiencing a personal transformation along the way.Read More »

A teenage girl is kidnapped by 3 guys and taken to an abandoned house in the country, and make her write her own ransom letter. She soon discovers that one of her captors is infatuated with her and she will use those feelings to stay alive.Read More »

THIS VERSION IS COMPLETE (3h 09′) AND INCLUDES EPISODE ‘JAR’.

The film consists of four stories plus epilogue, set in 19th-century Sicily. THE OTHER SON – A mother spends her life waiting for news from her two sons (emigrated to America) while ignoring her third, because he is the reincarnation of the bandit who raped her. MOON SICKNESS – a newly-wed peasant girl discovers that her husband goes mad every full moon. She arranges for a male friend to protect her, but they end up in bed together just as the moon emerges from behind a cloud. THE JAR – a rich landowner hires a master craftsman to repair a giant olive jar, but the craftsman gets trapped inside. REQUIEM – villagers band together in an attempt to force their landlord to let them bury their dead. CONVERSATIONS WITH MOTHER – the writer Luigi Pirandello talks with his aged mother about a story he always wanted to write, but which he never managed to capture in words.Read More »