Italian

Quote:
The film was based on a subject by Mario Gariazzo, a director who in the seventies, gravitated into the orbit of Daunia and to whom Fernando di Leo “lent a hand” by offering advice for his script – for his detective film, The Bloody Hands of the Law – and for the production of his western, Holy Water Joe and the tear-jerker, The Balloon Vendor, a story vaguely inspired by William Wyler’s famous film, The Desperate Hours. At the start it was Gariazzo who was to direct it but at the producers’ insistence he was finally replaced by di Leo.Read More »

Synopsis

Quote:
Bernardo Bertolucci’s vast historical melodrama used the massive popular, critical, and financial success of its predecessor, the scandalous LAST TANGO IN PARIS, to mount a production of epic scale. Cut down to four hours for its American release, the film utilizes an all-star Hollywood…
Bernardo Bertolucci’s vast historical melodrama used the massive popular, critical, and financial success of its predecessor, the scandalous LAST TANGO IN PARIS, to mount a production of epic scale. Cut down to four hours for its American release, the film utilizes an all-star Hollywood cast to tell its heavily Marxist tale of Italian peasants during the twentieth century. Two boys born on the same day are destined for divergent paths; Olmo (played by Gerard Depardeiu as an adult) is born to peasant parents and will become a passionate socialist, while Alfredo’s (Robert De Niro as an adult) bourgeois, landowning origins will lead him to ultimately embrace fascism. Driven by a sincere hope for and belief in political change, Bertolucci’s film is nonetheless made up of very humane individual stories; it concentrates on highly personal experiences of a politically-charged time, which color the little dramas of love, sex, family, and community. It is at once an epic poem and a political manifesto, and it is the product of a director who was unabashedly communist in his youth, contrasting markedly with later works like 2003’s THE DREAMERS.Read More »

from IMDB:
The deranged Roman emperor Gainus ‘Caligula’ (Little Boots) Caesar (12-41 A.D.) rules Rome with an iron fist and has anyone tortured and exectued for even the slightest insubordination. Mostly set during his last year of his reign, as Caligula loses support due to his brutal and crazed excess, a young Moor woman, named Miriam, becomes his lover while ploting to kill him to avenge the murder of a friend which Caligula was responsible for. But Miriam is torn between her personal vandeda against Caligula and her own personal feelings towards him despite his madness and debauched lifestyle of orgies and bloody torture murders. Written by Matthew PatayRead More »

here’s very little about this film on the internet. Pasolini travels to India to make notes about a future film he planned on making. He examines differences between the modern India and the historical one found in its mythologies and vedic texts by posing a particular question based on a didactic anecdote that no longer seems to apply in a twentieth century world. This ‘prehistory’ forms most of the first part of the film. The second part covers a modern India marred by social divisions, overpopulation and poverty. Pasolini keeps his focus on the human tragedy involved at all times.Read More »

Description: Janitor Antonio Buonocore joins his friend Lo Turco e Cardone, to print some counterfeit bills. When they decide to circulate one counterfeit bill, they are only able to spend the right one, used as a mould for the others. Crime is not for them and so they decide to renounce their plans.Read More »

Quote:
After witnessing the brutal murder of an elderly lady, a man has an encounter with a bizarre woman who claims to an old lover of his… A lover who apparently committed suicide years ago.Read More »

A teenage girl is kidnapped by 3 guys and taken to an abandoned house in the country, and make her write her own ransom letter. She soon discovers that one of her captors is infatuated with her and she will use those feelings to stay alive.Read More »

Two women, an Island dweller and a foreigner: one dramatically influences the life of the other. But they both share the same desire for a different future, a better life for their children and the dream of the mainland. Terraferma is the desired destination of those travelling by sea, but it may also turn out to be an island with its deep-rooted traditions.
The Pucillo family has to come to terms with immobility: Ernesto is 70 years old and he’d do anything to avoid having to scrap his fishing boat. His grandson Filippo is 20. His father was lost at sea and he finds himself caught up “in time“ between his grandfather Ernest and his uncle Nino, who gave up fishing in favour of “baiting“ tourists. His young, widowed mother, Giulietta, senses that this island’s frozen, immutable time has turned them all into strangers and that there is no future for her nor for her son Filippo. For there to be a future they must have the courage to leave.Read More »

PLOT:
A May-December romance.
Roué Giulio Marengo, a Roman landscape architect unhappy in his marriage, meets Francesca, a young and beautiful Florentine, and then learns she might be his daughter. He resolves to keep his hands off but can’t seem to stay away, and she’s eager for a lover who’s a father figure. He’s happy to be a kid, so he tries to find out who her father is; his wife knows that something is up; his daughter, who’s Francesca’s age and is pregnant, encourages the affair.
Should he tell Francesca his fears that it might be incest? If he tells her and she doesn’t care, what next? And what of his wife, who still wants to be married? Francesca takes control.Read More »